The Fall of the House of Usher Summary, Characters, Themes, & Facts

Table Of Content

• thought on “A Summary and Analysis of Edgar Allan Poe’s ‘The Fall of the House of Usher’”
• More Must-Reads From TIME
• The Fall of the House of Usher review – a gleefully terrifying take on Edgar Allan Poe
• Poe's Short Stories (SparkNotes Literature Guide)
• Madeline Usher
• Storyline
• A Summary and Analysis of Edgar Allan Poe’s ‘The Fall of the House of Usher’

When a door, at length, closed upon her, my glance sought instinctively and eagerly the countenance of the brother—but he had buried his face in his hands, and I could only perceive that a far more than ordinary wanness had overspread the emaciated fingers through which trickled many passionate tears. It was, he said, a constitutional and a family evil, and one for which he despaired to find a remedy—a mere nervous affection, he immediately added, which would undoubtedly soon pass off. I have said that the sole effect of my somewhat childish experiment—that of looking down within the tarn—had been to deepen the first singular impression.

thought on “A Summary and Analysis of Edgar Allan Poe’s ‘The Fall of the House of Usher’”

“Mad Trist” spookily crosses literary borders, as though Roderick’s obsession with these poems ushers their narratives into his own domain and brings them to life. The tale highlights the Gothic feature of the doppelganger, or character double, and portrays doubling in inanimate structures and literary forms. The narrator, for example, first witnesses the mansion as a reflection in the tarn, or shallow pool, that abuts the front of the house.

More Must-Reads From TIME

One of the phantasmagoric conceptions of my friend, partaking not so rigidly of the spirit of abstraction, may be shadowed forth, although feebly, in words. A small picture presented the interior of an immensely long and rectangular vault or tunnel, with low walls, smooth, white, and without interruption or device. Certain accessory points of the design served well to convey the idea that this excavation lay at an exceeding depth below the surface of the earth. No outlet was observed in any portion of its vast extent, and no torch, or other artificial source of light was discernible; yet a flood of intense rays rolled throughout, and bathed the whole in a ghastly and inappropriate splendor. BY THE TIME you reach the final episode of The Fall of the House of Usher, the latest of Netflix's horror limited series from writer/director Mike Flanagan, there have been a lot of scares, a lot of violence, and a lot of lore.

The Fall of the House of Usher review – a gleefully terrifying take on Edgar Allan Poe - The Guardian

The Fall of the House of Usher review – a gleefully terrifying take on Edgar Allan Poe.

Posted: Thu, 12 Oct 2023 07:00:00 GMT [source]

The Fall of the House of Usher review – a gleefully terrifying take on Edgar Allan Poe

Because of the structure of the house, the characters cannot act or move freely in the house. Thus the house is assumed to be a monstrous character/structure in itself. It is a mastermind that controls the actions and fate of its residents.

The secret that is buried and then comes to light (represented by Madeline) is never revealed. The symbol which represents the secret – Madeline herself – is hidden away by Roderick, but that symbol returns, coming to light at the end of the story and (in good Gothic fashion) destroying the family for good. In a shocking development, Madeline breaks out of her coffin and enters the room, and Roderick confesses that he buried her alive. Madeline attacks her brother and kills both him and herself in the struggle, and the narrator flees the house. It is a stormy night, and as he leaves he sees the house fall down, collapsing into the lake which reflects the house’s image. Several days later, Roderick tells the narrator that Madeline has died, and they lay her to rest in a vault.

After Roderick Usher claims that Madeline has died, the narrator helps Usher entomb Madeline in an underground vault despite noticing Madeline's flushed, lifelike appearance. As if in the superhuman energy of his utterance there had been found the potency of a spell — the huge antique pannels to which the speaker pointed, threw slowly back, upon the instant, their ponderous and ebony jaws. It was the work of the rushing gust — but then without those doors there did stand the lofty and enshrouded figure of the lady Madeline of Usher. There was blood upon her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame. For a moment she remained trembling and reeling to and fro upon the threshold — then, with a low moaning cry, fell heavily inward upon the person of her brother, and in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated. In the manner of my friend I was at once struck with an incoherence — an inconsistency; and I soon found this to arise from a series of feeble and futile struggles to overcome an habitual trepidancy — an excessive nervous agitation.

“…an influence, whose supposititious force was conveyed in terms too shadowy here to be re-stated. The narrator, while entering the House of Usher, sees a small crack in the house, this crack not only refers to the crack in the house, but also the crack in the Usher family. There is a symbolic connection between the literal fissure and the metaphorical fissure. This small fissure shows disruption in the family, specifically between Roderick and Usher. Besides art mirroring or foreshadowing reality in the story, the other thing such as “reflection” and “doubling” is also going on in the story. When the story opens, we see that the narrator observes the inverted image of the house of Usher in the water pool that lies in front of the house.

Storyline

I know not how it was — but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. There was an iciness, a sinking, a sickening of the heart — an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it — I paused to think — what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as I pondered. I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth.

Because of Madeline’s similarity to Roderick, she has been buried before she is actually dead, and this similarity is shown by the coffin that holds her identity. The short story opens with an unnamed narrator who approaches House of Usher on the dark, dull, and soundless day. The narrator noticed the diseased atmosphere and absorbed evil in the house from the murky pond and decaying trees around the house. He also observes that even though the house appears to be decaying, its structure is fairly solid. In front of the building, there is no small crack from the roof to the ground.

In the story “The Fall of the House of Usher,” strangely mingles the real with the fictional. The artistic creation of Roderick is directly connected to what happens in the house of Usher. He creates an underground tomb and then entombed Madeline in the tomb. He then prophecies about the destruction of the house, and the house is destroyed.

The sources indicate that the owner of the house caught a sailor and his young wife in the house and entombed them in their place of trysting. In 1830, when the house was torn down, two bodies were found in the cellar cavity. The Martian Chronicles, a 1950 collection of stories by Ray Bradbury, contains a novella called "Usher II," a homage to Poe.

Poe condenses these into a short story and plays around with them, locating new psychological depths within these features. In November 2023, Roderick Usher, the CEO of pharmaceutical company Fortunato Pharmaceuticals, loses all six of his children within two weeks. Auguste Dupin, an Assistant United States Attorney who dedicated his career to exposing Fortunato's corruption, to his childhood home, where he tells the true story of his family and unveils the Ushers' darkest secrets.

Roderick contacted him when he was suffering from emotional and mental distress. He does not know much about the house of Usher and is the first outsider to visit the house in many years. The narrator tells him that such gas is natural; there is nothing uncommon in it. The narrator has visited the house because Roderick Usher has sent him a letter that sincerely asks him to give him company. In the letter, Roderick has mentioned that he has been physically and emotionally ill due to which the narrator has rushed to help his friend. Hezekiah Usher House could provide a source of inspiration for Poe’s story.

To cheer up his friend, the narrator spends several days with him. He also reads stories to him; however, he is able to lift the spirit of Roderick. When Poe began writing short stories, the short story was not generally regarded as serious literature. Poe’s writing helped elevate the genre from a position of critical neglect to an art form.

Roderick and Madeline are the only remaining members of the Usher family. Our books — the books which, for years, had formed no small portion of the mental existence of the invalid — were, as might be supposed, in strict keeping with this character of phantasm. One favorite volume was a small octavo edition of the Directorium Inquisitorium , by the Dominican Eymeric de Gironne; and there were passages in Pomponius Mela, about the old African Satyrs and œgipans, over which Usher would sit dreaming for hours. His chief delight, however, was found in the perusal of an exceedingly rare and curious book in quarto Gothic — the manual of a forgotten church — the Vigiliae Mortuorum secundum Chorum Ecclesiae Maguntinae. But evil things, in robes of sorrow,Assailed the monarch’s high estate;(Ah, let us mourn, for never morrowShall dawn upon him, desolate!)And, round about his home, the gloryThat blushed and bloomedIs but a dim-remembered storyOf the old time entombed.

He believes the mansion is sentient and responsible, in part, for his deteriorating mental health and melancholy. Despite this admission, Usher remains in the mansion and composes art containing the Usher mansion or similar haunted mansions. His mental health deteriorates faster as he begins to hear Madeline's attempts to escape the underground vault she was buried in, and he eventually meets his death out of fear in a manner similar to the House of Usher's cracking and sinking. Roderick and Madeline are twins and the two share an incommunicable connection that critics conclude may be either incestuous or metaphysical,[7] as two individuals in an extra-sensory relationship embodying a single entity. To that end, Roderick's deteriorating condition speeds his own torment and eventual death.